brooch discovered in 2009 during a metal detecting rally at Hurleston, near Nantwich, is on show at the Museum.
Known as the Hurleston Brooch, the solid gold artefact, which is about 30mm across, is highly decorative, ornate and a fine example of its type. It must have belonged to a wealthy individual and would have served to symbolise that person’s wealth and high status.
The brooch has been acquired by the Museum (see below) where it makes an attractive addition to existing displays. It helps to illustrate the role that jewellery has played through the ages with particular reference to this locality. Previously, no brooches in the Museum’s collection predated the 19th century. There is a plain buckle of similar date on permanent display in the Museum.
Having been declared Treasure Trove, the brooch was offered to Nantwich as the nearest accredited museum to the find site.
Anyone who is living with dementia or caring for someone with dementia is welcome to join us on the first Monday of each month from 2pm.
Our Millennium Gallery offers a comfortable and relaxed environment for our sessions where people are free to come and go as they please. The sessions have a different theme each week and use objects from our specially created reminiscence boxes and the Museum’s collection. There is opportunity to have a chat about the theme, sometimes an activity (always chance to handle objects) and always a cup of tea and chance to meet other people. As the Museum is closed to the general public on a Monday, we have the entire Museum available for this group’s use.
We have been working with the Alzheimer’s Society and staff assisted by volunteers will be present throughout.
The Craft Group were approached by the Museum’s Administrator with an idea of making story sacks for the Museum’s younger visitors. Some examples of their work can be seen on the wall.
What are Story Sacks?
A Story Sack is a cloth bag containing a children’s story book or rhyme sheet along with supporting materials to stimulate reading and language activities.
It aims to make reading more memorable and enjoyable for both parent/carer and child.
Why are we using them in the Museum?
By introducing story sacks, we hope that parents/carers and their children will take time to read together during their visit to the Museum, and encourage their children to make links between the stories or rhymes to the relevant displays/objects around the Museum.
Story Sacks to be made available from 2014:
Story or Rhyme Link to
Elves and the Shoemaker Clothing and shoe making in Nantwich
Hickory Dickory Dock Clockmakers of Nantwich
The Grand Old Duke of York The Battle of Nantwich
London’s Burning The Fire of Nantwich
Should you wish to discuss any of the above, please speak to Vicky Edwards, or email Vicky at firstname.lastname@example.org
‘The Museum of the Future’ was an event that we held in October. As part of the national Big Draw Campaign and the Family Arts Festival, we invited visitors to have a go at drawing what they thought the museum of the future might look like. We had in the region of 100 drawings! Ideas ranged from transport of the future, to pets, food and armour. We were joined on the day by a Roman soldier, a soldier from the English Civil War and, travelling from the future, a stormtrooper.
After the event, a special video was made that can be viewed on You Tube. Take a look.
On December 10, 1583, a Nantwich brewer living in the Waterlode, accidentally started a blaze which burned for 20 days, destroying 150 houses, inns and other buildings.
The fire made around 900 people – half the population – homeless, but fortunately, only two people perished.
Transporting of salt, a principal product of Nantwich, was stopped for a while and the use of the town as a military staging point was halted.
The support of the town by trade and industry was a matter which concerned Queen Elizabeth I and her Privy Council. As a result, she ordered a nationwide collection for funds to rebuild Nantwich, to which she contributed £1,000. This deed is marked in a plaque on a building in Nantwich Square, now called “Queen’s Aid House” (pictured).
A modern translation would read: “God grant our Royal Queen in England long to reign, for she has put her helping hand to build this town again”.
John Maisterson led four local men in administering the funds and poor relief, and overseeing the buying of trees in Buerton, near Crewe, and Wirral. It took about three years to rebuild the town in the established medieval street pattern.
Following the Queen’s generosity, May 1 in both 1584 and 1585 was known as “Queen’s Day”. After that the name fell into disuse.
This item is based on an article by the late Eric Garton, a 20th Century Nantwich historian, in a souvenir brochure for the 400th anniversary commemorations of the Great Fire and Rebuilding of Nantwich, which records the events that took place in 1983-4.
A painting depicting the Great Fire of Nantwich by local artist Herbert Jones can also be viewed at the Museum.
Further emphasising the severity of the threat of fire in a town like Nantwich, the Museum also displays a 17th century fire engine and one of the old fire insurance marks, which today is recognised as the Museum’s logo.
The Museum’s craft group has been meeting since 2011. They meet every Tuesday between 10 and 12. Its an informal group that takes on a variety of crafts that are of interest to the members.
Meetings are free of charge but regular specialist workshops are planned for which a charge will be made.
Projects that the group is undertaking include: creating Christmas decorations for the Museum, making costumes, items for sale in the Museum shop and a timeline unique to Nantwich which is on display in the exhibition.
Their exhibition is on until the 28th of December.
Pupils from Blackfriars School increased their understanding of the Great Fire of Nantwich when they returned to school.
As you can see in the picture, the models that they made with us were used to construct their own Tudor street. The fire shows the consequences of using flammable building materials and building houses close together.
We have just started an exciting project to expand our offer in order to better meet the needs of people living in the community, particularly those who may be living with dementia. This project will see us create ‘reminiscence boxes’ and also an additional resource: an ‘object dialogue box’.
On Thursday 4th July, Museum staff, volunteers, library staff, health care professionals, residents from nearby care homes as well as people living with dementia and their carers joined together at the Museum to discuss with Anne Sherman, Arts Officer for Health and Older People and Karl Foster, an artist, to discuss what kind of resources and services the Museum might be able to offer to people with dementia. We found that some of the objects from the Museum store could be particularly helpful.
Karl Foster of Hedsor has a wealth of experience of creating object dialogue boxes and examples of his work can be found at Manchester Art Gallery and the Imperial War Museum. The objects created were inspired by the Museum’s collection and are designed to promote conversation and exploration.
As an illustration, he showed us an object he had made, and asked us to think about how it made us feel. Some of the exercises were mysterious but very effective.
Following Thursday’s workshop, Karl is now going away to create some objects. They will be unusual, yet will have a connection to the collection and a link to items on permanent display. The Museum will be using the time until these objects are completed in September to think about what exactly we will be able to offer and to take part in more training.
The Museum has found that there is scope to use the Museum’s collection to provide worthwhile experiences for people living with dementia. This project will demonstrate to similar size museums and organisations how large scale national projects and initiatives can be adapted with more modest resources. Other projects which have been taking place across the country includes The House of Memories, which was developed at Liverpool Museum, and more locally a project that has just started at Bridgend Community Centre.